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Women
learned to make clothing and costumes from generation to generation.
The objects a daughter produced were slowly assembled into her
trousseau, an important part of a bride’s dowry. The clothing and
costumes of Armenian women typically
emphasized color and hand-worked ornamentation, elements which
were subject to variation according to taste. Lace also adorned the
costumes of Armenian woman. Among
the most popular dyes for wools, cottons, and silks was the
distinctive scarlet-colored cochineal prepared from dried insects
indigenous to the area of Mount Ararat. There
was a sharp contrast from women’s styles compared to men’s
clothing. Men’s costumes resembled the non-Christian nationalities
surrounding them. Thus, men could mingle with ease and conduct
business transactions. Women, on the other hand, had few opportunities
for outside contact and dressed in traditional Armenian styles to
which they had become
accustomed to in family life. The
history of Armenian women’s costumes begins with ancient Urartu, to
Armenian costumes bearing the Persian influence.
Armenian woman used their skills in weaving, spinning, dyeing,
cutting, fitting and needlework.
The Armenian woman and her attire were one and indivisible. Her
clothing was the repository of the crafts, values, and tastes
expressed in her society. There was a reciprocal influence between
Armenian and other Asian as well as European clothing styles,
especially in the movement of basic fashion ideas. The
costumes of Armenians depicted women from all walks of life from
queens and commoners, princesses and noblewomen, urban dwellers and
rustic maidens, nuns and brides, in a social, regional and historical
cross-section of Armenian society through the ages. As
you research the history, the collection of Armenian women’s
costumes begins during the
Urartu time period, wherein dresses were designed with creamy white
silk, embroidered with gold thread. The costume was a replica of a
medallion unearthed by archaeologists at
Toprak Kale near Lake Van, which some 3,000 years ago was the
site of the capital of the Kingdom of Urarta. By
the third century B.C. Armenia had become a key power in the east, and
from this period, the costume of Queen Satenik was produced. Similarly
, over the centuries other costumes were produced for Armenian queens, aristocrats, nuns, citizen women, brides, with the
design and color of the costumes
varying based on the region where the Armenians resided. All
of these costumes expressed the splendid heritage of a living culture.
These costumes are part of the on-going legacy of a proud and gifted
people whose creative contributions continues to draw nourishment from
a three thousand year old history. Excerpts
of Article taken from: “The
Costumes of Armenian Women” and
“ARMENIA Crossroads of
Culture- by Anahid
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